Issue 16 | International
|
|
THE DEFINITEVENESS OF INK
CARMEN HUST | ARTICULATE # 16 | JULY 2018 The Dutch artist Redmer Hoekstra was born with a lot of imagination. As a child he made up his own explanations for stuff, how things worked or were being made. He finds his inspiration on the road, where new connections between things appear. A philosophical view of the world and myself. Who am I? What is my reality and how do I get to decide how it looks and works? Read more |
|
IN PARENTELA'S LIVING ROOM A MEETING BETWEEN GALLIANO AND HORN IS A FREQUENT AND RANDOM HAPPENING
CARMEN HUST | ARTICULATE #16 | JULY 2018 The transition from collage to photography is in his work necessary, inevitable, continuous and discontinuous, fluid and full of insurmountable and inevitable obstacles. Read more |
|
|
BOAMISTURA: A REVIEW OF THE SPANISH ACTIVIST STREET-ART GUROS, PERFORMING FAR FROM MADRID.
SUSANNA ALLENDE | ARTICULATE #16 | JULY 2018 The basis of all Boamistura's work is the point of a constructive dialogue: sharing ideas, listening to each other and, even at the earliest stage of a proposal, be sure that all the members feel that they are on the right path Read more |
|
THE WORK OF BELGIAN ARTIST VALERIE DECLEER, IS AN ACT OF CREATING INTIMATE CONNECTIONS
VALERIE DECLEER | ARTICULATE #16 | JULI 2018 The work of Belgian artist Valerie Decleer is an act of creating intimate connections – an effort to reflect the exhaustive wandering through the labyrinth of one’s mind. Read more |
|
|
TERESE STENHJEM USES IMITATION AS A WAY OF UNDERSTANDING NATURE. SHE TRIES TO IMITATE, ISOLATE AND SIMPLIFY NATURE.
CARMEN HUST | ARTICULATE #16 | JULY 2018 (UPDATED 2020) The preferred media of Stenhjem differs, but she often uses synthetic materials like plastic and styrofoam or materials like cardboard or cotton that also have an unnatural way of being produced. read more |
|
THE WORK OF RUSSIAN IGOR & MARINA ATTEMPTS TO GIVE NEW MEANING TO FAMILIAR IMAGES.
IGOR & MARINA | ARTICULATE #16 | JULI 2018 The work of Igor & Marina is characterized by a remarkable fusion of seemingly incongruous elements: past and present, figurative and abstract, traditional and avant-garde. Read more |
|
